The Way of the Word

25. May 2011

Review: X-Men First Class

USA/GB 2011. Directed by Matthew Vaughn. Starring James McAvoy, Michael Fassbender, Kevin Bacon. Runtime: 127 Minutes

The year is 1962. Concentration camp survivor Erik Lensherr (Michael Fassbender) has become a Nazi hunter. He is specifically after one person: Nazi scientist Klaus Schmidt (Kevin Bacon). His quest seems to come to an end when he discovers that Schmidt now calls himself Sebastian Shaw and is in Miami, FL.

The year is 1962. CIA agent Moira McTaggert (Rose Byrne) is investigating the mysterious Hellfire Club, which is run by Sebastian Shaw. When she discovers things that are patently impossible (how can a man have red skin and a tail, and transport someone else 3000 miles within a few minutes?), she seeks out the help of a geneticist who specializes in mutation: Charles Xavier (James McAvoy).  He agrees to help her out in this case, and they track down Shaw.

Arriving at the same time as Lensherr. Despite Erik’s best efforts, Shaw escapes. But Charles has a plan: Shaw has a team of superpowered mutants on his side. The obvious conclusion is that Xavier assembles his own team to deal with it. And so, Xavier and Erik find and gather a group of young, powerful mutants to fight Shaw’s group.

The situation becomes desperate when Xavier discovers that Shaw plans to manipulate the USA and the USSR into starting a nuclear war, which will reduce the world to ruins — but ruins that Shaw will rule. The newly formed, barely trained and still unnamed X-Men dash to Cuba to stop Shaw.

X-Men: First Class is technically the fifth movie in the series (after the original trilogy and the Wolverine movie). This is usually the point where I wonder: does the world really need another (insert franchise name) movie?

In this case, the answer is a resounding YES. X-Men: First Class easily outshines and outclasses not only all the previous X-Men movies, I would rate it second only to The Dark Knight. The movie does everything right.

Instead of a superhero movie, X-Men: First Class is a thriller where the protagonists happen to have superpowers. The stakes are high: the survival of the world. And the events actually happened, sort of: the Cuban missile crisis is an historic event, and it almost did cause a total nuclear war. The difference between the movie and the real world was that there were no mutants involved in the real world event. (That we know of. 😉 ) The movie does not rely on big, splashy special effects. Which means that when they do present a big splashy special effect (yes, I’m talking about Magneto raising a submarine from the ocean), it packs quite a punch. The chilliest and scariest moments, however, involve Magneto and a small coin.

X-Men: First Class focuses on the characters. This is mostly an ensemble piece, so it’s clear that not all the characters get equal time. At the center are the relationships between Xavier, Erik and, to an extent, Shaw. Vaughn doesn’t forget the X-Men, however. Each of the young mutants has their own storyarc, which is compellingly told and actually brought to a conclusion. The young actors who play the X-Men sell their roles completely. As the audience, you invest feelings into all of them, you want to see what happens to them, what becomes of them. Even in those cases where you know, such as Magneto and Mystique (Jennifer Lawrence), you can’t help an emotional investment in the outcome. Taking, for example, the moment when Mystique discovers that the boy she likes is just like everyone else and considers her real form ugly, that the only one who actually accepts her for what she is is Erik… you, as the audience, can actually feel her heart break.

It’s the bad guys who get the short end of the stick here, Riptide for example doesn’t get any lines at all. But it doesn’t really matter, because they only exist as foils for the heroes. The only villain who matters is Shaw — and that is because of his personal connection to Erik.

If Michael Fassbender weren’t already a star, I’d call this his breakout performance. His portrayal of Erik Lensherr/Magneto is compelling, conflicted, nuanced. His relationship with Xavier is a mutual brotherly love, two men who want the same thing, but because of their opposite pasts see the future differently. Xavier is a sheltered rich kid, who sees people as inherently good. Erik, as the concentration camp survivor, has seen humanity at its worst, and his views are colored accordingly. At the end, when the X-Men reveal themselves to the world, one man’s views will be proven right.

And the audience will see where Magneto’s coming from. Because Erik Lensherr is a thoroughly sympathetic figure. He doesn’t trust humans, and when the proverbial chips fall, he’s the one who is proven right.

The movie also manages to balance all that gravitas with a lot of humor. It’s a good kind of humor, though, the kind where you laugh with the characters and not at them. One of the funniest scenes is where the kids are in the CIA compound, showing off their powers. Kids will be kids. And let us not forget the cameos. One in particular had the entire audience howling with laughter. “Go f**k yourselves.” You’ll see what I mean, and you can’t tell me you didn’t laugh.

In summary: X-Men: First Class is an extremely well written, well acted and well-directed thriller with superpowered protagonists that manages to get the audience involved in the destinies of each of the characters. It ties neatly into the other movies (only two minor continuity quibbles remain unresolved), but stands out as the best of them. As a matter of fact, X-Men: First Class sets the blue-gold-standard for this year’s superhero movies — and frankly, I don’t think the others can beat it. Among all the other superhero movies, I rate this second only to The Dark Knight.

Verdict: extremely recommended.



  1. Wow. This was not the review I was expecting – given my own concerns about the film. You’ve gotten my interest.

    Comment by Michael Paciocco — 25. May 2011 @ 22:54

  2. I admit that there are a couple of moments when they serve the cheese, but I was very much surprised at how well-written the movie was. They paid very much attention to developing characters, and they found the key to a compelling story: making the audience emotionally invested in the characters. Even if we already know how things will turn out.

    Comment by jensaltmann — 26. May 2011 @ 08:38

  3. I’ll definitely have to give it a look then.

    Comment by Michael Paciocco — 26. May 2011 @ 13:23

  4. […] Bacon, Rose Byrne, January Jones, Jennifer Lawrence, Jason Flemyng, Nicholas HoultA great review by Jens Altmann. Spoilers ahead.The year is 1962. Concentration camp survivor Erik Lensherr (Michael Fassbender) […]

    Pingback by X-Men: First Class review by Jens Altmann – — 26. May 2011 @ 20:03

  5. We’re planning to see this soon, and I’m glad to see a good review on it 😀 David is a huge X-Men fan, and both he and Daniel are comics nerds, so they’ve been looking forward to this since it was announced. Thanks for the review 😀

    Comment by Lisa Morgan — 3. June 2011 @ 11:43

  6. You’re welcome to report back on how you liked it. 🙂

    Comment by jensaltmann — 3. June 2011 @ 19:14

  7. Now over a decade old the ongoing movie-mutant saga of the X-Men has provided us with a range of comic book adaptations of varying degrees of quality…Bryan Singer kick-started the franchise in solid fashion before going on to the high-water mark of X2 and stepping aside for the somewhat anti-climactic Last Stand and the thudding futility of Wolverine a failure because it existed only to cover already well-trodden ground…Theres also the lingering whiff of Episodes I-III of Star Wars to provide a warning note that prequelising a beloved franchise is fraught with peril and can be at best pointless and at worst guilty of tainting the memory of the very thing its trying to revive…Praise the summer movie gods though because X-Men First Class manages near as dammit to avoid the obvious pitfalls inherent in trying to shoehorn a reverse engineered mythology to emerge as an immensely satisfying movie event thats both rollicking fantasy blockbuster and deeply compelling character drama…This prequel begins as the very first film did in a concentration camp in Poland in 1944. This is where young Erik Lehnsherr Bill Milner discovers that he has the power to move and control metal objects which brings him to the attention of a Nazi scientist Kevin Bacon intent on harnessing this ability…Zipping forward to 1962 the adult Erik now played by Michael Fassbender is still on the hunt for Bacon who has reinvented himself as an arms dealer named Sebastian Shaw.

    Comment by business — 13. June 2011 @ 15:40

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